for some sexual content, partial nudity, thematic elements and smoking. Lily James as Mrs de Winter. Drammatico, Gran Bretagna, USA, 2020. "No Small Parts' looks at her rise to fame. It’s easy to forget the seductive, sexual charmer of those Monte Carlo scenes. The characters were just so blah. Is Rebecca there in the bed with the newlyweds, laughing at the clumsy inexperience of Maxim's new bride? Picture: Kerry Brown/NetflixSource:Supplied, RELATED: The Trial of the Chicago 7 is compelling cinema. The new Mrs. de Winter fears she will never measure up. When Enola Holmes-Sherlock's teen sister-discovers her mother missing, she sets off to find her, becoming a super-sleuth in her own right as she outwits her famous brother and unravels a dangerous conspiracy around a mysterious young Lord. Sometimes it feels as if Rebecca, with all of its gothic melodrama, wants to be camp, but feels constrained by the reverence for the source material. As the new Mrs. de Winter wanders through her new home, she notices the letter "R" literally everywhere. Even a scene where the new Mrs. de Winter finds Rebecca's catalog of sexy lingerie hidden in a drawer is not enough to establish the nightmarish quality of that arc. Wheatley is a director that has genre-hopped from horror to action to sci-fi to dry comedies. This is a glittering Jazz Age world, all champagne-fizzy and golden-lit, rich people in linens, swing-y jazz in the background. Throwback: For Which Film Should Hitchcock Have Won A Directing Oscar? Memories "stir." Picture: Kerry Brown/NetflixSource:Supplied. In the summer of 1989, a group of bullied kids band together to destroy a shape-shifting monster, which disguises itself as a clown and preys on the children of Derry, their small Maine town. But it didn’t get some crucial things right. In 1800s England, a well meaning but selfish young woman meddles in the love lives of her friends. They stuck Mrs de Winter in like dumpy hats and cardigans that you could go and pick up from H & M. I don't understand this choice. The first chunk of the movie felt like full romance but then it shifts into like a boring drama then it's all like Frankensteined together with horror tropes like "jump scares". (2020). After a quick romance, including soft-core sex on the beach, he proposes marriage and swoops her back to Manderley. When Maxim opens up for the first time about his tragic past, a gentle piano and strings theme plays underneath the scene, completely unconnected to the what's being said. Mrs. De Winter is cowed by the this "ghost," jealous, confused, and hurt by Maxim's transformation from romantic playboy funboy to gloomy-puss simmering with anger and secrets. Durata 123 min. While it takes place explicitly in 1935, the Great Depression is nowhere in existence. Sheila O'Malley received a BFA in Theatre from the University of Rhode Island and a Master's in Acting from the Actors Studio MFA Program. Scott Thomas does a brilliant job in a role that was played with memorable stoicism by Australian actor Judith Anderson in the Hitchcock version. The past is still close to us. Gillian Anderson, Emma Corrin, and Josh O'Connor pick their favorite costumes in Season 4 of "The Crown. news.com.au — Australia’s leading news site, The Trial of the Chicago 7 is compelling cinema. But still, when Thomas arrives she makes the Monte Carlo sequence seem a prologue. Hitchcock’s Rebecca won the 1940 Best Picture Oscar while Olivier and Fontaine were nominated for their roles – the screen legends didn’t win but would go on to collect Oscars down the track for other performances. The novel starts as a dream with the famous opening line: "Last night I dreamt I went to Manderley again." Picture: Kerry Brown/NetflixSource:Supplied. as George Fortescue Maximilian "Maxim" de Winter, Enjoy the Black Harvest Film Festival at Home, The Awareness of Sound Itself: Filmmakers Behind Sound of Metal on Bringing the Audience Inside the Character's Hearing Loss, Ambition is the Antagonist: Sean Durkin on The Nest. Swept away by this dazzling mysterious man, the naive young woman goes back with him to the family manor, a Gothic monstrosity called "Manderley." Classically trained British actress Lily James, known for roles in Cinderella and Baby Driver, stars with Armie Hammer in the drama Rebecca. Releasing on Netflix this week, Wheatley’s Rebecca is a stylish but flawed attempt at capturing the emotional and psychological nuance of du Maurier’s book. In the Hitchcock film they give her interesting dresses and stylish tops. Rebecca is his first psychological thriller and it’s also unusual for Wheatley in that his previous work – including High-Rise, Free Fire and Happy New Year, Colin Burstead – all tend to have a comedic streak underpinning them. Keep track of everything you watch; tell your friends. The music creates a slightly nostalgic mood, slightly sad, slightly melancholy. A young American woman from the Midwest is hired by a marketing firm in Paris to provide them with an American perspective on things. The book's reach is global. But Jane Eyre, Wuthering Heights, Phantom of the Opera, Coleridge's "Christable": all qualify. There's not a clear enough sense of collective suppression, desires unspoken, sexual/psychological torment so intense it leads to madness. The Best TV Shows About Being in Your 30s. A courtship begins in the beautiful climes of Monte Carlo, two sun-kissed humans making sexy googly-eyes while hugging the Mediterranean coastline. Clint Mansell's score more often than not has nothing to do with what's onscreen. Use the HTML below. The earlier acts are effective and evocative but by the final stretch, the film loses its magnetism and it becomes one of the soapier episodes of Downton Abbey. The world is in a state of "furtive unrest," it's full of ghosts making demands on the living, the dead exacting revenge from beyond the grave. One morning, the glamorous Maxim de Winter (Armie Hammer) rescues our heroine from social embarrassment, and, captivated by her, invites her out for a drive. But beneath her stylish exterior lurks a growing darkness. Lily James plays the unnamed lead character, a lady’s companion to the garish Mrs Van Hopper (Ann Dowd), who catches the eye of the recently widowed Maxim de Winter (Armie Hammer). Rated PG-13 I was so confused.I also don't believe the reviews that say this captures old Hollywood. “We can never go back again, that much is certain. The spirits of a deceased couple are harassed by an unbearable family that has moved into their home, and hire a malicious spirit to drive them out. Del Toro clarified that the film is not horror but "Gothic romance." So, the person who decides to remake it with that kind of legacy hanging around their neck is either gutsy or foolish – of course, those two concepts are not mutually exclusive. Un melodramma romantico che trasforma l'aura magica del passato in un'elegia moderna e sentita. Naive and inexperienced, she begins to settle into the trappings of her new life, but finds herself battling the shadow of Maxim's first wife, the elegant and urbane Rebecca, whose haunting legacy is kept alive by Manderley's sinister housekeeper Mrs. Danvers (Kristin Scott Thomas). English director Ben Wheatley decided he was that person. He reiterated it over and over. But it … REBECCA." Without it, it's hard to even perceive what is happening. That's the essence of Daphne Du Maurier's book, a book which has never gone out of print, speaking to its cross-generational appeal.The past lives around us. Naive and inexperienced, she begins to settle into the trappings of her new life, but finds herself battling the shadow of Maxim's first wife, the elegant and urbane Rebecca, whose haunting legacy is kept alive by Manderley's sinister housekeeper Mrs. Danvers (Kristin Scott Thomas). It’s not just that Daphne du Maurier’s novel is revered (and it is), but it’s that two years after the book’s 1938 release, Alfred Hitchcock made it for cinemas with Laurence Olivier and Joan Fontaine in the leads. Thomas brings it, but she seems like she's in a different movie. Con Lily James, Keeley Hawes, Armie Hammer, Ann Dowd, Kristin Scott Thomas, Sam Riley. Hammer and James are too-well matched, which was not the point. Directed by Ben Wheatley. I don't understand why you would attempt to remake a film who's shoes are just too big to fill.First off the film looks great especially the scenes in France and the story is good but that is the source materials fault not anyone involved with this film.I thought it was pretty bland apart from the points above. Want to share IMDb's rating on your own site? So that tells you something.I was really looking forward to the costumes too but for the most part I was let down. Rebecca Few filmmakers would’ve taken on the challenge of adapting Rebecca, a haunted, gothic love story. 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