Louis XIV and His Family, ca. Antoine or Louis Le Nain, Peasant Family in an Interior. Catalogue of the Celebrated Pictures and Drawings Comprising the Collections of the Royal House of France, Removed from Schloss Frohsdorf, Lower Austria, and sold by order of H.R.H. England. Source: Wikimedia. Oil on canvas; 219.1 x 135.8 cm (86.3 x 53.5 in). Ready-to-wear, Fall 2012. The Sun King is wearing a delicate lace cravat. Possibly Marie-Caroline de Bourbon-Sicile, duchesse de Berry, 1798 - 1870. 9 - Jacob Ferdinand Voet (Flemish, 1639-1689). Nonetheless, the portrait shows several key characteristics of Baroque style in menswear, which may seem effeminate by today’s standards. Oil on canvas; 129 x 98 cm (50.8 x 38.6 in). A puff of shirt sleeve and the wrist ruffle are still exposed, and his red heels are still in vogue. I. N. Phelps, In the 1570s, more was more. Art historian Philip Mansel explains the role of fashion from Louis XIV to Elizabeth II in his book Dressed to Rule (2005): “The right dress was believed to encourage loyalty, satisfy vanity, impress outer world, and help royal industries” (xiv). 213, ill. Dolce & Gabbana seems very interested in Baroque style. Oil on canvas; 139 x 104 cm (54.7 x 40.9 in). Next lesson. Consistent with this mission, the Timeline’s written commentary, research, and analysis provided by FIT students, faculty, and other members of the community is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Summary Catalogue of European Paintings in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 1997), p. 107, ill. Walsh, John, and Deborah Gribbon. The coat is made to button all the way down the front, but it is fastened only at the waist line. Red-soled shoes, 2017. The Golden Age (New York: Trident Press, 1968), p. 98. This is the currently selected item. This information is published from the Museum's collection database. In this regard, calling him a trend setter is no hyperbole. Figure 16 is a pair of the famous red-soled shoes of Christian Louboutin. "Figural Inversions of Louis XIV's Dancing Body." In the 1670s, the periwig was a natural hair style, curled and flowing. Connaissance des arts, no. Portrait of Don Luis de la Cerda, later IX Duke of Medinaceli, ca. The neck cravat was fringed or lace-trimmed (Yarwood 162). Portrait of the King Charles X of France in his coronation robes, 1827. Due to Nine Years’ War (1688-1697) and the War of Spanish Succession (1701-1714), France suffered a heavy blow to the  national economy, accelerating the decline of Louis XIV. The text on this page is licensed under a, All Getty Research Institute Publications, Conservation Perspectives, The GCI Newsletter, GCI Reference Collection (for materials analysis), Research Assistance at GCI Information Center, Links to Cultural Heritage Policy Documents, Marie-Caroline de Bourbon-Sicile, duchesse de Berry, Henri de Bourbon V, duke of Bordeaux and count of Chambord, Princess Beatrice Teresa de Borbón y Borbón, Creative Commons Attribution 4.0 International License, International Image Interoperability Framework (IIIF), The J. Paul Getty Museum at the Getty Center (Los Angeles), June 9, 2015 to July 31, 2016. “The King of Couture.”, Klingsöhr-Leroy, Cathrin. Men always carried a hat, usually under the arm, but rarely wore it. http://www.oxfordartonline.com/subscriber/article/grove/art/T072126, http://www.louvre.fr/en/oeuvre-notices/louis-xiv-1638-1715, https://historyofeuropeanfashion.wordpress.com/2012/04/07/the-baroque-period-in-all-its-grandiloquence, 1568 – Bernardino Campi, Portrait of a Woman, 1791 – Rose Adélaïde Ducreux, Self-Portrait with a Harp, 1794 – Gilbert Stuart, Matilda Stoughton de Jaudenes, 1884 – John Singer Sargent, Madame X (Virginie Gautreau), Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, Chrisman-Campbell, Kimberly. 12 - Simon Pietersz Verelst (Dutch, 1644-1721). Louis XV (1710–1774) as a Child, 1730. Rev. Portrait of Louis XIV of France, 1701. The black-and-white ermine fur and the blue-and-gold fleur-de-lys are symbols of the French monarchy. Source: Author, Fig. 3rd ed. This portrait was commissioned as a gift for King Philip V of Spain, the grandson of Louis XIV. It was tied around the throat in a bow and hung down in folds over the chest. 1) was one of the most renowned French Baroque painters during the reign of Louis … His original Portrait of Louis XIV of 1701, now in the Louvre, was so popular that Rigaud had many copies made, both in full and half-length formats, often with the help of assistants. However, Louis XIV is not following all the high-end details of those times. Up Next . The content on this page is available according to the International Image Interoperability Framework (IIIF) specifications. http://www.khanacademy.org/humanities/monarchy-enlightenment/baroque-art1/france/a/rigaud-louis-xiv. 1684. Practice: Versailles . Especially the embroidered coronation robe reinforces the supremacy of the monarch. Doreen Yarwood explains this in European Costume: 4000 Years of Fashion (1982): “It was then arranged with a center parting and in a mass of curls and ringlets which rose to a peak on each side of the parting. In figure 11, Louis XIV is sitting on a chair wearing a suit, which is composed of a justaucorps, a waistcoat and breeches. 2. Source: Vogue, Fig. ed. Frel, Jiri, Burton B. Fredericksen, and Gillian Wilson. Often the justaucorps and waistcoat were heavily decorated with gold, silver or colored braid and embroidery (Fig. Getty, J. Paul. Oil on canvas; 196.5 x 159 cm (77.4 x 159 in). From 1670 until after the end of the century, the full-bottomed periwig was prevailing. 7 - Hyacinthe Rigaud (French, 1659-1743). Source: Wikimedia, Diagram of referenced dress features. Davenport, William. Rigaud’s portrait, originally commissioned as a gift for Louis’ grandson, Philip V of Spain, was so well received that Louis ultimately chose to keep it and sent a copy in its place. Additional works of art related to the themes and topics of the curriculum. (École Pratique des Hautes Études, 2003), vol. 1) was one of the most renowned French Baroque painters during the reign of Louis XIV. 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portrait de louis xiv analyse

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